Friday, March 30, 2012
Thursday, March 29, 2012
Tuesday, March 27, 2012
Monday, March 26, 2012
la Dolce Vita 97
Best Bartender Ever -- the one and only lovely Lady Theresa
PS: can someone tell Theresa to pass me a correct email address so I can email her the pictures? Thanks.
PS: can someone tell Theresa to pass me a correct email address so I can email her the pictures? Thanks.
After half a dozen of Stellas from the lovely lady Theresa, we decided to hit the road drunk
Sunday, March 25, 2012
Friday, March 23, 2012
Thursday, March 22, 2012
Thursday, March 08, 2012
Sunday, March 04, 2012
Saturday, March 03, 2012
Slave Journal
Guest post by Harry Lai
South
When I was little, I was separated from my family and brought to the South. I worked there for many years. There was a lot of conflicts between me and my master, but I could do nothing to make them understand how cruel slavery was.
Today, I was beaten 15 times, the highest amount in a day of my miserable life. 1/3 of these beatings were for no reason. I decided that I was going to escape.
One stormy night, I wrapped the bread I had saved for my journey in a piece of cloth. I climbed on a chair and crawled out the window on and landed like a cat onto the ground. I looked up at the sky. Other slaves told me that the North Star, the brightest star in the sky led North, and when you were north, you were free. I ran toward the North Star. I stopped, thinking if the rumor was true. But there was no time to think. If the overseer saw me out of my cabin, I'd be beaten bloody. So I ran and ran. I soon grew tired and slept under a bush, hoping it would conceal my body fully.
Tuesday, February 28, 2012
追揸沽 (To Seek, Hold and Let Go)
This dead tree publication is a compilation of various online posts from the same name Chinese (Cantonese) blog by famed blogger Charcoal who is a self-proclaimed nihilist with the good look of Daniel Wu. Charcoal, when not blogging, runs a small business in Jordan, arguably the biggest cesspool in Hong Kong. Of course, the above can all be prefaced with the word "alleged," as I can neither verify nor debunk those claims except "famed blogger" which is my own assessment that I believe most people share. Charcoal has been pretty successful not to reveal his identity. Most if not all bloggers do not know his real world identity, myself included. But that's not important. What's important is his blog identity, that is, what and how he writes. Why he blogs is the least interesting part. He did say he uses blogging to alleviate tension from work. Or whatever. It boils down to because the guy can and do it much better than most people. About seven months ago, Sina did a similar compilation from Sina's own bloggers and gave the book a title "Why We Blog?" or "Why Weblog?" Anyway, I never bother to check it out, as I am least interested in why when it comes to writings. I am much interested in what people write and even more importantly how people write. Or I am simply turned off by the title. What Charcoal writes Charcoal knows. He writes about his work, his team of staff past or present, his life, his musings on things happened around him. In short, everyday stuff that in lesser hands, can and will become extremely pedestrian and boring. I am not sure if he is a nihilist, but from his posts, I can sense he is an humanitarian. All his characters, real or imagined are ordinary people. Ordinary as in people can be found in nightclubs, in small offices, on the streets, the mentally challenged, unprivileged and underprivileged in the urban jungle that is known as Hong Kong. Charcoal, through his writings, give ordinary people a voice, a character in an otherwise mundane if not totally cruel and meaningless life. Charcoal reveals and praises humanity in his most ordinary characters. Some of his more distinguished blog posts are actually novellas written yet in another voice, like a Beer Girl or an Office Assistant. Charcoal is a blogger-cum-novelist. Personally I think how is more important than what one writes. Charcoal, like I said earlier, writes everyday life. But he always manages to find an angle, a voice, an opinion, a connection that he can make his own and makes things interesting. Now that is what I call talent or past hard work manifested as talent. As to the dead tree publication, the comments are gone, so commenters don't expect to find your witty comments on the book. Like I said, the book is a compilation of blog posts from the past, so you can find all the contents online except for the book preface. The preface is typical Charcoal, well written, self deprecating, gives credits to people and fellow bloggers who have either inspired or helped him along the way. And finally he gracefully apologizes to Charlie Cho Cha-Lei for appropriating his picture as his online avatar and praises Mr. Cho's contribution to the Hong Kong cinema. "To Seek, Hold and Let Go", like Charcoal's online avatar Cho is decidedly lowbrow in the best sense of the word, very assessable and enjoyable. If you are to read between the lines or bytes, you can definitely appreciate the humanity and dignity of his characters that are shared among human kinds in an otherwise meaningless and sometimes cruel existence. "To Seek, Hold and Let Go" is the most important publication of this summer because I say so. Bottom line: You don't have to get the book if you are already an avid reader of his blog. But then again, if you read his blog regularly and religiously you would like to get a hardcopy so you can read it anytime and anywhere online or offline. If you have been living under a rock or don't believe in blogging (I am truly surprised you are reading this then) you owe yourself to get copy of this exemplary Cantonese writing at its very best. Disclosure: Yours truly got a signed copy with an accompanying note waiting for me when I checked in my hotel in the mildly dangerous and pleasantly decadent Jordan neighborhood, the same can be said about Mr. Charcoal's blog, mildly dangerous and pleasantly decadent. 7/25/2007
The whole post with proper hyperlink is right here.
Tuesday, February 21, 2012
Friday, February 17, 2012
Monday, February 13, 2012
Saturday, February 11, 2012
Monday, February 06, 2012
Socks and Sandals
scanned from the Sunday New York Times print edition on February 5, 2012
Friday, February 03, 2012
Nikon D800 Announcement?
This is a copy and paste from Nikonrumors.
Read more on NikonRumors.com: http://nikonrumors.com/2012/02/02/nikon-event-in-hong-kong-on-february-7th.aspx/#ixzz1lKh5KaH8
I guess I have become a Nikon grammar police, irrespective of how unqualified I am. But here it goes.
I always think it is "as follows," period.
Wow, Nikon really gets it.
I guess it can be in English and Mandarin as well, so long it's not in Putonghua.
Dear NPS Members,Nikon cordially requests the honour of your presence at the “Nikon Product Announcement Party”, the details are shown as follow [red added by me]:Venue: The Diamond Ballroom Level 3,
The Ritz-Carlton, Hong Kong, International Commerce Centre,
1 Austin Road West, Kowloon, Hong Kong.Date: 7th February 2012 (Tuesday)
Time: 15:15 – 16:00 Reception
16:00 – 16:45 Product Presentation*Refreshments*
We look forward to your participation.
Nikon Hong Kong Limited.
NPS Section
R.S.V.P.: by reply E-mail
*The product presentation will be conducted in Cantonese only.
親愛的專業攝影師會員:尼康香港有限公司誠意邀請 各會員出席「Nikon相機發佈會」,詳情如下:地點: 香港九龍柯士甸道西一號環球貿易廣場香港麗思卡爾頓酒店三樓耀鑽宴會廳日期: 2012年2月7日(星期二)時間: 15:15 – 16:00 接待來賓16:00 – 16:45 產品介紹*茶點招待*我們期盼你的出席尼康香港有限公司尼康專業攝影服務敬請電郵示覆*產品介紹將以廣東話進行
Read more on NikonRumors.com: http://nikonrumors.com/2012/02/02/nikon-event-in-hong-kong-on-february-7th.aspx/#ixzz1lKh5KaH8
I guess I have become a Nikon grammar police, irrespective of how unqualified I am. But here it goes.
I always think it is "as follows," period.
Wow, Nikon really gets it.
*The product presentation will be conducted in Cantonese only.
I guess it can be in English and Mandarin as well, so long it's not in Putonghua.
Thursday, February 02, 2012
Tuesday, January 24, 2012
Clean Is Not Enough
"When you leave New York, you are astonished at how clean the rest of the world is. Clean is not enough."
--Fran Lebowitz, Metropolitan Life/Social Studies
More underground subway activities, like pee between cars, enjoyed by New Yorkers.
More underground subway activities, like pee between cars, enjoyed by New Yorkers.
Friday, January 20, 2012
Drop-Down
There is a place and a time for drop-down. But it's just not every single field and every single time in every single form, a drop-down for some list of twenty items? It's overused, it's cumbersome, it's brainwashing. People don't even bother try entering the value if it's not on the drop-down. Crazy.
Tuesday, January 10, 2012
Nikon USA
Nikonusa is no better than Nikon-Europe. They simply don't care what appears on their websites, at all.
For better explanations of the above, see here and here.
Sunday, January 08, 2012
Thursday, December 29, 2011
牯嶺街少年殺人事件 A Brighter Summer Day
***** SPOILER ALERT ******
There are movies I just go and see--because they kind of fit my schedule. And there are movies I say I want to see but never did--because they kind of not fit my schedule. And then there is A Brighter Summer Day, an unapologetically, interminably, and spectacularly boring fine piece of film making. It takes certain courage, commitment, patience and plenty of luck and not to mention a whopping or meager $17 to see A Brighter Summer Day on the big screen. The length of the movie can be and is a turnoff. Who has that much of time to spare anyway except maybe mindlessly surfing the web and online gaming? And even if you are committed to spend 237 minutes, not 2 hours and 37 minutes like Google would have you believed, of your life to see it, there hasn't really been a good copy available for the longest time. It's an unicorn of a movie, an alluring film that has grown even more elusive for the past twenty years since its 1991 debut, anywhere but here in America. Everything changed when Martin Scorsese and company restored the film and had it released here in Lincoln Center for a very limited theatrical one week engagement: 2PM and 7PM from November 25. I guess if you missed it this time you missed it for good. Or you may have to wait another twenty years to see it on big screen again. Hey, you never know, but you can always count on YouTube, Google Video or other dark alleys and corners of the Internet for some version of it. The Chinese title <<牯嶺街少年殺人事件>> reads like a news headline, the name of an article in a news magazine or even the name of a police report; it means "Bullock Ridge Street Teenager Murder Incident"--thanks Google Translate! Indeed, the film is loosely based on or rather inspired by the first teenage murder happened in Taiwan in the 60s after the National government fled there in 1949. Director Yang and the juvenile murderer went to the same school. The murder was a sensation and left an indelible mark on the director's psyche. The film is an artistic reconstruction of the events leading up to the climatic killing which is as tragic as it is inevitable. Chang Chen, in his cinematic debut, plays the eponymous character, though most of the times he is affectionately referred to as Xiao S'ir 小四 (little fourth, as in his birth order); who is like most other teenagers from the Chinese diaspora, hangs out with gangs, gets into fights, skips classes, enjoys ambiguous romance--in his case with Ming (Lisa Yang) or affectionately Xiao Ming--you add "Xiao" to make everything endearing, a passive aggressive inadvertent femme fatale, and given the opportunities or being pushed over the edge, he is capable to kill and did indeed kill. The Changs are originally from Shanghai, which explains everything, doesn't it? The handsome father (Zhang Guozhu, is the father of the two sons on and off screen) resembles someone from the old Shanghai intelligentsia who has enough pride and stubbornness that can give him more than a lifetime of constipation, and prevents him from being happy, and makes him feel forever out of place no matter how long he has lived in Taiwan and away from Shanghai. Though to be fair, his unhappiness and feeling of alienation are not totally unfounded--he was taken away one night and interrogated by the secret police for days. The fact that Xiao S'ir fails to get into a day middle school only gives him more the reason to feel miserable. The father tried in vain to save Xiao S'ir from the evening middle school first by trying to talk the school bureaucrat to review his son's exam papers, which the bureaucrat would have none of it; then by going through some back door through his fellow Shanghainese old friend in high or higher place. And as fate would have it or in real life, things only get worse without getting any better. The English title "A Brighter Summer Day" is more of a yearning than a declarative statement. The irony is, in addition to being a mis-transcription of one of the lines of Elvis's singing of Are You Lonesome Tonight, most scenes are shot almost pitch black with minimum lighting--there is nothing bright or summery to the movie. There is little let alone fancy camera movements (there is however one day scene where Xiao S'ir and Xiao Ming are shown merely and briefly as shadows on a white door talking, alluding to their fragile transient youthful existence or even demise) nor are there any special sound effects. The very first thing I notice, after years of movie consumption, the film feels still and disturbingly quiet, there is no sound effect to remind me it's time to feel sad, empathetic or exciting. Besides the constant gloom, the film is peppered with the director's own brand of humors. I don't know how on earth one of the film's villains or actually a protagonist is called Honey, in actual English no less, and it's not even a she or meant to be a joke. And then we have Little Cat (I guess so called for his love of Elvis who is nicknamed as Cat King in the Chinese speaking societies), Little Tiger, Triangular Pantie (the song used to taunt him is such a riot), and Crazy so on and so forth. Or why the parents, in distress, curse and talk dirty in Cantonese. Like any good comedy, though this one is obviously not, it's actually a tragedy in disguise. In the final tragic scenes, Xiao S'ir was seen carrying and clumsily tucking a Japanese little sword into his waist band and it fell right through his pants. The scene is at once innocent, sad, funny and ominous. It just doesn't auger well what's going to happen. In the movie's typical wide shot, the audience watches helplessly in horror as the tragedy unfolds while the passers-by or in a sense the whole world blissfully ignores what is going on, purposely or not . As if to reaffirm what Xiao Ming says moments ago, "The world does not change because of you." Lisa Yang never again appears in any movie after Chang Chen killed her character on screen. I don't blame her. It would be impossible for her to star in another movie that is as good and as long as A Brighter Summer Day. Ask Chang Chen. If you refuse to be entertained and long for something dark and gloomy, A Brighter Summer Day is your ticket to this spectacularly boring cinematic experience.
Monday, December 26, 2011
Bag Of Bones
I bought Bag of Bones from a library sale for one dollar many moons ago and the bag of bones has been on the shelf ever since. Finally I feel like there is simply no better way to end the year 2011 than reading Bag of Bones, a horror story by the one and only King.
The hardcover is more than five hundred pages long and about two inches thick. It feels substantial and overwhelming.
Mike Noonan, a recently widowed second tier romance/suspense writer had a four-year writer's block and finally decided to set out to his vacation home hoping to unclog the block or at least to relax. He got more than he bargained for. He uncovered deep rooted town secret from many generations back, met some unsavory characters, human and otherwise and even linked his wife's untimely death back to their vacation home Sara Laughs. The plot twists and characters are interesting, far fetched and have enough going on to keep the story forward and in the end everything is logical and explained, that is, if you were to accept the premise (I am fairly disappointed the plastic owls don't play a more important role than led up to be). Of course, it's more than just a ghost story, it's about love, justice and peace too. King proves to be king. The book may seem daunting but it's an easy read.
Mike Noonan, a recently widowed second tier romance/suspense writer had a four-year writer's block and finally decided to set out to his vacation home hoping to unclog the block or at least to relax. He got more than he bargained for. He uncovered deep rooted town secret from many generations back, met some unsavory characters, human and otherwise and even linked his wife's untimely death back to their vacation home Sara Laughs. The plot twists and characters are interesting, far fetched and have enough going on to keep the story forward and in the end everything is logical and explained, that is, if you were to accept the premise (I am fairly disappointed the plastic owls don't play a more important role than led up to be). Of course, it's more than just a ghost story, it's about love, justice and peace too. King proves to be king. The book may seem daunting but it's an easy read.
Mission Impossible: Ghost Protocol
Tom Cruise runs, swims, drives, jumps and kicks ass. The end. In between, the glue that binds those actions together that makes it a movie isn't all that interesting. Personally, the much hyped Cruise doing his own stunt jumping off the tallest building seems more exciting on YouTube than it is in the movie. Perhaps, I don't know, maybe the storytelling doesn't make it all that exciting. Director Bird seems to be very fond of the first MI (1996), he even brings back the long hair dude who leads Ethan Hunt (Tom Cruise) to see Max. For a second, I thought I am going to see Max (Vanessa Redgrave) again. Alas, that didn't happen. Then of course, we have the party scene in India which is much inferior than a similar scene in the first MI embassy scene. The tribute doesn't stop there, Bird has Jeremy Renner jumps down some chute and floats by magnetic force a la Tom Cruise in the vault stealing the NOC list. And finally when Bird doesn't know what to do he brings back Ving Rhames to close out the movie, what's missing of course, is the ridiculously catchy and out of nowhere Dreams by The Cranberries. I always find it odd to have Dreams played in the end of MI. But then so is the way Cruise runs, upright, chest protruding, looking all serious, urgent and oddly amusing.
Thursday, December 22, 2011
Fincher's The Girl With The Dragon Tattoo
The Karen O trailer gives the edge the book deserves but sorely missing in the American movie. Fincher slogs through the material with a James Bond like opening sequence which is going to challenge the deep black in all LCD television sets across the nation when the blu-Ray, DVD and VOD come out some time later. After the James Bondish, part MTV, part WTF opening sequence, things kind of go downhill. There is really nothing to write home about, the intense coffee drinking scenes are missing and how I miss them. The movie is by and large a faithful adaptation of the original novel so much so that I think if I haven't read the book I sure won't be able to follow the plot. The movie is kind of sexist, something the book criticizes and despises. Lisbeth Salander (Rooney Mara) is seen giving it all for the movie here while Mikael Blomkvist (Daniel Craig) stingily flashes only his butt crack in his man-whore like speedo underwear. Where is the equality in on-screen nudity? In terms of brutality, I am not impressed. And Fincher certainly doesn't give the audience something new or good: the same old tired obligatory shower scene after the rape. Oh my goodness. Spare me already. Rooney Mara gives a credible performance and she looks the part. But that's about it, her character is just as interesting as her changing hair styles along the movie, which is somewhat interesting but not interesting enough to propel the plot forward and save the movie from being mundane and tedious.
SPOILER ALERT:
Despite the fact that it's a SONY movie, Apple is still featured faithfully* and prominently in the movie. VAIO and NEX play minor supporting roles only. EPSON,surprisingly, has a minor supporting role as well. *Blomkvist is supposed to use an iBook in the book, cheap journalist ...
SPOILER ALERT:
Despite the fact that it's a SONY movie, Apple is still featured faithfully* and prominently in the movie. VAIO and NEX play minor supporting roles only. EPSON,surprisingly, has a minor supporting role as well. *Blomkvist is supposed to use an iBook in the book, cheap journalist ...
Monday, December 12, 2011
Saturday, December 10, 2011
Saturday, December 03, 2011
Are You Lonesome Tonight
The eldest sister and older brother (or the second in the brood (老二), which in Mandarin, at least in Taiwan, can mean the penis) are flummoxed when trying to transcribe the lyrics of Elvis' "Are You Lonesome Tonight." Is it "Does your memory stray to a bright summer day" or " ... brighter summer day." To the sister and perhaps many others, Elvis sure sounds like singing the latter. The brother asks if it's even grammatically correct. The official lyrics is the former and so is Norah Jones' recent rendition. Yang's film title "A Brighter Summer Day" not only reflects the director's wry sense of humor on words misunderstood but also epitomizes the yearning of the Changs family, and by extension the Chinese diaspora in Taiwan, for not only a bright but a "brighter" future.
Things with a hole in the middle bring headaches
Wisdom: (Those) without scrotums are all very troublesome.
Sunday, November 27, 2011
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Barber Shop in Chinatown
Nowadays I loathe to have my haircut, that's why I seldom have mine cut, maybe once or twice a year. I went back to Chinatown. I could ...
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11:50PM. It's ten minutes before midnight. It's another midnight and it's not. It's going to be a spanking new year. Ye...
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Cho produced and sent out a multimedia press release to NBC in the 2 hours between his first shooting and the later mass murder and suicide ...
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Nowadays I loathe to have my haircut, that's why I seldom have mine cut, maybe once or twice a year. I went back to Chinatown. I could ...




















