This was my first AF lens, bought long after I got my Nikon F5. For a long time I just used MF lenses on my Nikon F5 adamantly.
I only used this lens occasionally and for a short period of time as I seldom took pictures and I discovered "pro" lenses. I bought it from Canoga camera out in California. I still remember the time I did my research on buying an AF lens and the moment and whereabouts when I placed the order, weird. Back then I shot film and I was happy with the lens granted my point of reference was 4x6 prints and I must be in awe how the AF-S worked.
Now I "have to" revisit this lens again. My pro grade 20-35 suffered from a fall and is out of commission. I don't think I ever shot any digital using this 24-85. I wonder if I shoot at f/8 or f/11, does it even matter? When the lighting situation is difficult I think a f/2.8 helps or if you dig the f/2.8 or larger aperture rendition. In terms of build, for me, as long as the mount is metal I am kind of OK with the rest. All lenses broke from fall and impact, plastic or metal. Sometimes I believe a lens shade helps alleviate the impact better than any metal construction. That being said, I appreciate any well made lenses that last for decades.
Believe it or not, this lens together with its dedicated lens shade were Made in Japan. The LC-67 lens cap was Made in Thailand.
Both Ken Rockwell and Moose Peterson raved about this lens if you ever need any affirmation of your purchase. It's very interesting to read how Moose marvelled the lens cap LC-67 as I guess back then the squeeze-in lens cap was a rarity and the LC-67 was quite possibly among the firsts if not the first to use this squeeze-in mechanism.
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