An open topic is simultaneously a blessing and a curse. A blessing because one has the absolute freedom to write whatever topic one chooses. A curse as one has to come up with a topic all by oneself. When you are assigned a topic, if you don't do a good job you can blame somebody else. If you choose your own topic and it turns out not as good as you want it to be, you have nobody but yourself to blame. If I ever live in a totalitarian society where my life is defined, planned and arranged from cradle to grave and I can easily blame the society for my failures. But does it even matter?
The Unbearable Lightness of Being was one of the first movies and books I saw and read when I arrived in the US. (The very first movie I saw here was "The Terrorizers" directed by Edward Yang and starring Cora Miao.) The themes like light and heavy, sex and love, fate and freewill, eternal return and YOLO are well explored. I wish I could live a life that is light, no need being a brain surgeon or a womanizer or both, like the character Tomas; and definitely not the war nor the hardships that follow. Tomas started out light but in the end totally domesticated. He was weighed down by the war and Tereza who clung to him like a piece of Cling wrap. I don't know if that's just life or what.
Sweden was pretty much defined by ABBA until the world or I discovered Stieg Larsson. Or John Ajvide Lindqvist who penned "Let the Right One In" in 2004 and later wrote the film adaption in 2008. The story is at once bleak and beautiful both in words and in moving images. Instead of wholesome ABBA like characters, many characters are flawed and despicable. One of the two protagonists, Eli is cursed with eternal return for she is forever stuck in her twelve-year old self since two centuries ago. Often time she smellS rancid. The other one is Oskar, a boy who is incontinent and uses a "pissball" to soak up his pee so nobody knows he pisses his pants. Oskar is the perennial easy target for bullying. Together they become fast friends and more. It's hard to like them but even harder not to like them despite them being serial killers. As it turns out I am not a big fan of ABBA.
Wednesday, May 30, 2018
Tuesday, May 08, 2018
Anamorphic Lens Adapter for Mobile Phones
Moondog Labs
Beastgrip Pro
Moment
Moondog is the only company that has stock available all or most of the time, selling at $175. It seems like it's iPhones only. Many models are iPhone model specific except one that is phone agnostic as its interface is the 37mm screw thread.
Beastgrip Pro is more like on and off when it comes to availability, more like off most of the time; also asking for $175. It's based on the 37mm screw thread so it's phone agnostic but pretty mount specific.
Moment is on pre-order. The listed price is lower than $175 but the lens mount is baked to only mate with its own proprietary case. If you've already invested in Moment or you think this closed system approach is not a problem then by all means.
In terms of alignment between the phone's lens and the anamorphic adapter, I believe the Moondog iPhone specific model and the Moment would probably give the most convenient, accurate and consistent alignment. How difficult to align the lenses? Not too difficult but you still need to do it if it's just a 37mm interface.
Beastgrip Pro
Moment
Moondog is the only company that has stock available all or most of the time, selling at $175. It seems like it's iPhones only. Many models are iPhone model specific except one that is phone agnostic as its interface is the 37mm screw thread.
Beastgrip Pro is more like on and off when it comes to availability, more like off most of the time; also asking for $175. It's based on the 37mm screw thread so it's phone agnostic but pretty mount specific.
Moment is on pre-order. The listed price is lower than $175 but the lens mount is baked to only mate with its own proprietary case. If you've already invested in Moment or you think this closed system approach is not a problem then by all means.
In terms of alignment between the phone's lens and the anamorphic adapter, I believe the Moondog iPhone specific model and the Moment would probably give the most convenient, accurate and consistent alignment. How difficult to align the lenses? Not too difficult but you still need to do it if it's just a 37mm interface.
Saturday, May 05, 2018
Red Hook Crit Brooklyn 11
I felt somewhat disoriented as there was some change to the course. I felt like I was always on the wrong side of the fence. I felt like I was always trapped at the wrong spot. There wasn't a lot of mobility from one to another spot.
I didn't take any pictures of the qualifying heats. I was busy taking portraits inside the terminal. I guess it wasn't such a bad idea as I don't want to lug around my equipment under the sun. I was being lazy for sure.
I still used what I have been using all these years. I was tempted to rent or even buy a new D750 as my oldie D700 is getting long in its teeth. AI coupling ring got sticky and becomes problematic if I ever used a manual focus lens or even AF lenses other than the f/2.8 as the ring got sticky and won't automatically rotate according to the notch. In any event I basically stuck with my good old friends of lenses the 70-200 and the 16-35 and yeah the new addition 135 f/2 DC which definitely is not the kind of lens that provides convenience.
I shot the "portraits" with my Sunpak 120J at I think 1/4 power and at f/8. I was thinking of shooting at f/11 but somehow it didn't quite work out. I know it doesn't make sense. But when I am in the field. I just need to roll with it I don't have all day to adjust. I don't think the 16-35 is the "ideal" focal length. But is there ever an ideal focal length? I doubt it. I imagine the 24-70 would provide the greatest convenience for this kind of shot. The grass is always greener somewhere. Or the poor man's version could be simply the 50mm f/1.8 or the 35-70 f/2.8. My ideal shot is just below shoulder, above the knees or full body length with the bike. The 16-35 helps in full length but I would need to get really close for above knee shots and below shoulder is not even possible or the image would get distorted too much to my liking. But I shoot what I have and adjust accordingly or rent.
I didn't take any pictures of the qualifying heats. I was busy taking portraits inside the terminal. I guess it wasn't such a bad idea as I don't want to lug around my equipment under the sun. I was being lazy for sure.
I still used what I have been using all these years. I was tempted to rent or even buy a new D750 as my oldie D700 is getting long in its teeth. AI coupling ring got sticky and becomes problematic if I ever used a manual focus lens or even AF lenses other than the f/2.8 as the ring got sticky and won't automatically rotate according to the notch. In any event I basically stuck with my good old friends of lenses the 70-200 and the 16-35 and yeah the new addition 135 f/2 DC which definitely is not the kind of lens that provides convenience.
I shot the "portraits" with my Sunpak 120J at I think 1/4 power and at f/8. I was thinking of shooting at f/11 but somehow it didn't quite work out. I know it doesn't make sense. But when I am in the field. I just need to roll with it I don't have all day to adjust. I don't think the 16-35 is the "ideal" focal length. But is there ever an ideal focal length? I doubt it. I imagine the 24-70 would provide the greatest convenience for this kind of shot. The grass is always greener somewhere. Or the poor man's version could be simply the 50mm f/1.8 or the 35-70 f/2.8. My ideal shot is just below shoulder, above the knees or full body length with the bike. The 16-35 helps in full length but I would need to get really close for above knee shots and below shoulder is not even possible or the image would get distorted too much to my liking. But I shoot what I have and adjust accordingly or rent.
https://www.facebook.com/media/set/?set=a.10157479883240200.1073742101.787280199&type=1&l=772ef4a303
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